"I'll admit I may have seen better days, but I'm still not to be had for the price of a cocktail, "(Margo Channing)
New Routine
Silvia Sanz Torre
Feels Like Home
Mixed Bag
Good Friday
Monster
Monster is a carefully crafted study of the pain of feeling what you feel when you are a pre teen, and everything is not quite what you think it is. Seen in a long series of flashbacks taken from differing points of view from a succession of characters we watch single mother (Sakura Ando) trying to understand why her young son Minato ( Soya Kurosawa) is acting so strangely. She hears through the grapevine that his outwardly diffident teacher Mr Hori ( Eita Nagayami) is bullying him and as she battles with the grief stricken and obsequious headmistress ( Yuko Tanaka) it is suggested that Minato is in fact bullying another boy, the gentle and slightly effeminate Eri ( Hinata Hiiragi)
Like the skin on an onion, director Hirokazu Kor-eda, slowly peels away the reality of the story with some care and with a Japanese eye, examines homophobia, physical and sexual abuse, and maintaining honour and saving face within the story of two boys growing up.
It’s an incredibly fascinating and rather sad story all told , acted beautifully by all involved. Ando and Nagayami are especially strong as the lioness mother and bemused teacher and veteran actress Yuko Tanaka is compelling in her emotionless turn as the damaged headmistress.
Kor-eda finally brings all the threads together by the final reel , but he gives the audience two endings, one hopeful, one tragic .
I’d like to think everyone picked the hopeful one
I’m off to Chester again tomorrow , but this time to the theatre to see The Kite Runner. How lucky am I Japan one day Kabul the next .