To Kill A Mockingbird

 

I met Nu in a cocktail bar on Frith Street (she had picked it as it was air conditioned) we then went along to Suvvlaki the best Greek restaurant in soho where we ate Greek tapas to die for , sat at an open window facing the street and watched the world go by.

I still felt as though was on holiday

We walked into Chinatown where we ate obscene ice creams at bubble wrap waffle before the theatre

Bliss

Most of us of a certain age have grown up with the goodness that is Atticus Finch in To Kill A Mocking Bird, 

His quote 

“You never really understand a person until you consider things from his point of view...until you climb into his skin and walk around in it.”

is one that follows a person through life, even though he was a fictitious lawyer in a non existent Southern town.

To Kill A Mocking Bird was not without its faults and I wondered how these would be addressed to a modern audience, most of whom loved the book as a child and saw it through a child’s eyes.

Aaron Sorkin’s production is a bold interpretation with the famous court scene divided into segments sandwiched in between the growing up stories of Scout and Jem Finch and their best friend Dil in rural Alabama.

Rafe Spall is no Gregory Peck in the lead role as Atticus. He isn’t polished and serene, and hasn’t that quiet heroic look.But his small town lawyer, is gentle, and humorous and brittle enough to still cry at the mention of his wife’s death. He is more flawed that his screen counterpart, but still retains those decent qualities most loved by Harper Lee’s fans.

The three children of the story are all played by young adults, and this works well thanks  primarily to the actors playing Scout and Dill. Gwyneth Keyworth is exceptional as Scout, ad-libbing with the audience in her broad Southern drawl when they were late in settling down and David Moost, who gives Dill an odd sense of a young, very camp Truman Capote ( he was Harper Lee’s Best friend) 

In the novel the housekeeper come nanny, Calpurnia didnt quite have a proper voice when the unfairness of racism was raised but Sorkin’s Calpurnia is not adverse in challenging even Atticus in his beliefs and behaviour and in one pivitol scene screams out what she thinks of the all white Jury who are sitting in judgement of Robinson ( a wonderful Jude Owusu)

The actress Pamela Nomvete turning from hired help to a roaring lioness impressively.

The new play has a great deal to say about the America, that still exists , most noticeably seen in the Trump years. Those disaffected and mistrusting of intellectual contact.

To kill A Mockingbird was a triumph , and a real rollercoaster of a play to experience.

It is one which will linger in the mind for a long while to come