Recently I read an account of how over 13,000 Jews were arrested from their Paris homes in 1942. I found the story surprising because the arrests and subsequent internment of mainly women and children in the "Winter Velodrome (Vélodrome d'Hiver) was orchestrated and carried out by the French rather than the occupying Germans, much to the shame of modern day Parisians, and the French Government who apologised publicly for the atrocity in 1995.
is a film about an American
journalist Julia, ( Kristin Scott Thomas) who is married to a Frenchman (Frédéric Pierrot ) and about to move into a Paris apartment owned by her husband’s
family since 1942.
She discovers the flat once
belonged to a Jewish family, and her researches reveal that a girl,
Sarah (Mélusine Mayance), locked her little brother in a cupboard to
evade the the French police and then did all she could to return to save him.
The film comprises the two stories, the modern day emotional journey of Julia and the terrible wartime drama of Sarah's family , which intertwine back and forth as the reporter unearths the eventual truth. This proves a slightly difficult fusion as the dramatic tension of Sarah's story far out weighs even Scott Thomas at her scene stealing best.
Having said that, Sarah's Key works very well indeed, it's a compelling, moving and at times harrowing watch that features not only another weighty performance by Scott Thomas, but also a crackingly mature turn by Mayance. The cinematography by Pascal Ridao with it's golden hues captures the terrible heat of the summer of '42 perfectly and one scene in particular ( when Sarah and her friend escape the Drancy internment camp and run through a field of wheat) is absolutely stunning.
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| Melusine Mayance (centre) |
Its a worthy film and well worth seeing
8/10
As I walked out a woman behind me looked up,sighed loudly and summed it up
as she puffed "Bloody hell !!!!!!!!!"
As I walked out a woman behind me looked up,sighed loudly and summed it up
as she puffed "Bloody hell !!!!!!!!!"












