I don't think I could possibly follow yesterday's blog with a suitably robust entry, and so I won't even try.Today I will bore you all with a review.
I have not been out on a film evening since I had the flu, ( and that was bleeding weeks ago) so I washed my face , put on a clean beanie and went over to Theatre Clwyd to see the German/Australian production of Lore.
I have not been out on a film evening since I had the flu, ( and that was bleeding weeks ago) so I washed my face , put on a clean beanie and went over to Theatre Clwyd to see the German/Australian production of Lore.
Not quite Edelweiss |
The story of innocence lost during wartime is a common enough theme within film narrative, but under the poetic guidance of Australian director Cate Shortland, Lore, gives the subject a visual and overwhelming sense of decay, grief and loss.
The war in Germany is ending and an affluent family is relocating as the allies fight over which part of Germany they will each control.After her SS parents are arrested ,14 year old Lore (Saskia Rosendahl) finds herself with the daunting job of mothering her four siblings on a 500 mile journey from the Black Forest to Hamburg to the perceived safety of their grandmother's house.
Lore's journey across Germany is suitably harrowing, but it is her loss of innocence amid the nation's shame and collective grief that is the most impressive to watch, especially given that the family's only salvation and aid comes in the shape of Thomas ( Kai Pet Malina) a Jew cast adrift from a liberated concentration camp.
Lore is not the matriarch of the Von Trap family in this movie. She is fickle, angry and racist and that is why her character is so compelling. Her blossoming sexuality around Thomas is soured by her ingrained mistrust and hatred of the Jews , a fact which is complicated by the slow realisation that her parents were indeed responsible for the atrocities that the damaged and starving German population are forced to bare witness to by the allied armies.
Rosendahl gives an impressively frank performance as the contradicted Lore and Malina is equally good in his role as Thomas, the Jewish survivor that is not quite what he seems. Both capture perfectly the desperation of survival inside a country stripped of everything it once held dear.
This is a powerful and uneasy movie
8/10