When I was a boy, I remember seeing this painting ( well the print of it) hanging in an old farmhouse
in Llanasa. The painting is called " Salem" by S. Curnow Vosper and depicts a Sunday morning at a small Baptist chapel in Cefncymerau, Llanbedr, near Harlech in 1908. The old woman in the centre is Sian Owen of Ty'n y Fawnog and it is said that she and all of the other characters depicted were paid 6d to sit for the painter.I love all of the " hidden" meanings tucked away in the detail.
The colourful shawl ( a nod to vanity perhaps?) the fact that Sian is a few minutes late for service , the little gremlin like face at the widow , the face of the devil often seen in the folds of the shawl......I wonder just what the artist was trying to say?
The original painting has been loaned out to a Bangor museum from the Lady Lever art gallery at Port Sunlight and Sunlight soap made the image famous by giving away prints of the painting free with their products .
Perhaps it was one of these freebies that I remember seeing in the old farmhouse in Llanasa in the early 70s.
I think the artist was just trying to show a whole group of people waiting for a silly old lady who had attitude and came late in a cool shawl. :-)
ReplyDeleteCaruso's mother would ALWAYS arrive late for church, just so the others could hear the difference in the quality of the singing after she and her son had arrived. Classy!
ReplyDeleteI too love to look at all the little details in pictures like this. The little boy with his head bowed. Is he reading, praying or playing? The man in the far right, is he asleep or pondering on the word of God? That old woman has so much character.
ReplyDeleteIt does make you think what was the painter trying to tell us all.
One of the figures in the painting was represented not by a live human being, but by a tailor’s dummy, christened Leusa Jones by Vosper, which owing to objections from members of the congregation, had to be removed on Saturday evenings before the services were held in the building the next day. ‘Leusa Jones’ is the female figure just right of centre in the painting.
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DeleteTELL ME MORE... I know nothing about the painting save for what I have written.... I love these kind of details
Only one of the seven people who posed for Vosper was actually a member of the chapel, that being Robert Williams, a local carpenter and farmer who lived at Caer Meddyg. He can be seen on the left of the painting with his head bowed in prayer
DeleteYou learn something new every time you visit blogland John. Such interesting information, both by you and by Yorkshire pudding above. I think paintings in this era were often full of hidden imagery which people at the time would recognise and identify with but which but which are lost to us now. The same is true of the imagery in metaphysical poetry - but it doesn't make either of them less fascinating - more so in fact.
ReplyDeleteI should think a warm shawl was much needed for those old bones in the cold church !
ReplyDeleteWhere is Sister Wendy when you need her.
ReplyDeletethey can't be witches because they wouldn't be in church!
ReplyDeleteNot witches, but perhaps the... Quakers? who often tried the 'witches'?
DeleteSorry, I forget, but that's what I thought when I saw the hats.
I don't think you and Chris would have survived too long in that community...
ReplyDeleteI join in...
DeleteI know that women are (or were?) supposed to cover their heads in church, but this is really taking it to extremes!
ReplyDeleteI've wondered why the tall hats on even the women!
DeleteIt frightens me as soon as I look at it. Maybe it is the heathen in me.
ReplyDeleteFunny ...I kind of like the old,bird
DeleteThat flash of green in the window fascinates me
Thanks for sharing. I love the painting and all of the ongoing comments! As I am part Welsh, I always find any of this fascinating, although we are Welsh Quakers...
ReplyDeleteIt took me a while to get past all those Welsh names in your introduction. Perhaps I should see about an online course in Welsh pronunciation, as I'm sure what's in my head is not at all accurate.
ReplyDeleteThat shawl would have been fashionable for several decades of the 20th and 21st centuries...including today!
John, you find such fascinating things to post! After your title, I expected to see a painting of the Salem witch trials - wouldn't those folks drop with the vapors at the sight of today's youth with tats, piercings, and pants around the knees?
ReplyDeleteNancy in Iowa
Vary interesting.
ReplyDeleteWhen I hear Salem I think of the witch trials.
The face in the shawl is the stuff of nightmares....I wish I hadn't looked!
ReplyDeleteWhat women will do for fashion never ceases to amaze me.
ReplyDeleteI am so Americanized that I immediately thought these ladies were all witches!!.....from Salem, Massachusetts fame.
ReplyDeleteThanks for this Art History 101 lesson, John.
The big hats are traditional welsh ladies hats
DeleteThanks for that information, John. I didn't know.
DeleteMost every lady in the photo has a colorful shawl! Very interesting painting John.
ReplyDeleteHave a good week, John. :-)
ReplyDeleteI avoided searching out the shawl for evil; I'll trust your word on this. Kinda scary print to have as a childhood memory!
ReplyDeleteAs a child I had a copy of 'And When Did You last See Your Father?' on my bedroom wall...
ReplyDeleteI would have thought you would have had a post of Rita Hayworth
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