It's always nice to see a Brit nominated for an academy award but I must admit I was fairly surprised to see the floppy haired Dev Patel up for the best supporting actor gong , especially as he dominated the second half of the movie Lion as former Indian street child Saroo, a boy seperated from his Indian family by a quirk of fate who was brought up by an adoptive Australian family thousands of miles from his rural dirt poor native village.
I was reminded of the movie as I watched the dogs and Albert lying in their untidy heaps on the bed this morning for in one sad pivotal scene a handful of Calcutta Street Children are seen huddling together for warmth and comfort on cardboard beds by the side of the road.
The sobering truth is that these Street Children are not just figments of a Hollywood screen writer's mind. They are real sad little scraps who don't know the comforts that a handful of terriers and a wide eyed black cat enjoy in a small Welsh village.
The astonishing Sunny Pawar
Lion is an interesting, uneven movie. The first half is literally stunning. It is a total assault on the senses as we follow the ever chirpy five year old Saroo (Sunny Pawar) and his ever loving mother ( Pryanka Bose) and hero worshiped older brother Guddu ( Abishek Bharate) in their dirt poor rural existence in central India.
Saroo is seperated from his family, and by an odd quirk of fate transported over a thousand miles to Calcutta where he survives on the dangerous streets for months until adopted by an Australian couple from Tasmania.
This chapter of Saroo's life is true heart in the mouth stuff thanks primarily to the child actor Pawar who literally breaks your heart with his solemn face and doleful eyes.
Unfortunately the whole pace of the film grinds to a halt soon after, as we then follow the continuing story of Saroo, a man living a fairly loving and comfortable life with his Australian parents (Nicole Kidman and David Wenham) Saroo ( Dev Patel) is conflicted by submerged memories of his former life and after a long period of reflection and research ( with too many scenes of the angst Patel staring off into the middle distance) the adult Saroo is finally reunited with his mother in a tearful sob fest finale.
Now Patel is undoubtedly moving in his role as the adult Saroo and I sincerely hope that he nabs the Oscar for his performance, but for me the real dramatic punch of Lion is the honest, naturalistic turn by the baby faced Sunny Pawar that really lingers long in the mind
8/10
Saroo is seperated from his family, and by an odd quirk of fate transported over a thousand miles to Calcutta where he survives on the dangerous streets for months until adopted by an Australian couple from Tasmania.
This chapter of Saroo's life is true heart in the mouth stuff thanks primarily to the child actor Pawar who literally breaks your heart with his solemn face and doleful eyes.
Unfortunately the whole pace of the film grinds to a halt soon after, as we then follow the continuing story of Saroo, a man living a fairly loving and comfortable life with his Australian parents (Nicole Kidman and David Wenham) Saroo ( Dev Patel) is conflicted by submerged memories of his former life and after a long period of reflection and research ( with too many scenes of the angst Patel staring off into the middle distance) the adult Saroo is finally reunited with his mother in a tearful sob fest finale.
Now Patel is undoubtedly moving in his role as the adult Saroo and I sincerely hope that he nabs the Oscar for his performance, but for me the real dramatic punch of Lion is the honest, naturalistic turn by the baby faced Sunny Pawar that really lingers long in the mind
8/10
