When I am in London, I often meet with Nu at the cafe in the National Portrait Gallery. It's big sister The National Gallery, is only around the corner, but as it faces Trafalgar Square this free public space is far too crowded with tourists, to be used as a meeting point.
I have always wanted to walk alone around The National Gallery; the crowds spoil it for me, as it literally does my head in when the zombified masses amble past and in front of grand master after grand master without really looking at them.
Under a week ago, I bit the bullet and visited the gallery again and found myself standing in front of George Seurat's Bathers at Asnieres only a few minutes after entering.
The painting is dominated by a slightly hunched, morose looking young man resting his arms in his lap. He is gazing out at the water lost in thought and I recognised him the moment I saw him.
For it was the spit of The Prof as a very young man.
No matter how successful the Prof becomes in his busy academic world. No matter how much international research he develops, or how much he shapes his own University when he eventually becomes Dean.
It is nice to think that in one world famous painting, he will always remain strangely immortal
I have always wanted to walk alone around The National Gallery; the crowds spoil it for me, as it literally does my head in when the zombified masses amble past and in front of grand master after grand master without really looking at them.
Under a week ago, I bit the bullet and visited the gallery again and found myself standing in front of George Seurat's Bathers at Asnieres only a few minutes after entering.
The painting is dominated by a slightly hunched, morose looking young man resting his arms in his lap. He is gazing out at the water lost in thought and I recognised him the moment I saw him.
For it was the spit of The Prof as a very young man.
It is nice to think that in one world famous painting, he will always remain strangely immortal












